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Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens for Canon Digital SLR Cameras Black
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Brand | Canon |
Focal Length Description | 24 mm |
Lens Type | Wide Angle |
Compatible Mountings | Canon EF |
Camera Lens Description | 24 month |
About this item
- Tilt and shift lens compatible with all Canon EOS cameras; ultra wide 24mm focal length
- High-precision lens elements for low distortion and high resolution; +/- 8.5 degrees Tilt and +/-12mm Shift
- Aspherical and UD lens elements minimize chromatic aberration
- Sub-wavelength structure and super-spectra coatings minimize ghosting and flare
- Circular aperture for creative, blurred highlights
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Price | $1,899.00$1,899.00 | $1,399.00$1,399.00 | $1,099.00$1,099.00 | $19.99$19.99 | $2,149.00$2,149.00 | -13% $2,099.00$2,099.00 List: $2,399.00 |
Delivery | Get it as soon as Wednesday, Mar 27 | Get it as soon as Tomorrow, Mar 23 | Get it as soon as Wednesday, Mar 27 | Get it Apr 1 - 2 | Get it as soon as Wednesday, Mar 27 | Get it as soon as Wednesday, Mar 27 |
Customer Ratings | ||||||
Picture quality | — | 5.0 | — | — | 5.0 | 4.7 |
Sold By | Amazon.com | Wholesale Photo | Amazon.com | Fanta Sales | Amazon.com | Amazon.com |
lens type | Wide Angle | Telephoto | Macro | Macro, Wide Angle | Wide Angle | Telephoto |
compatible mountings | Canon EF | Canon EF | Canon RF | — | Canon EF | Canon RF |
lens design | Prime | Prime | Prime | — | Prime | Zoom |
focus type | Auto Focus | Manual Focus | Auto Focus | — | Auto Focus | automatic |
minimum focal length | 24 millimeters | 90 millimeters | 100 millimeters | 18 millimeters | 17 millimeters | 2.8 millimeters |
max focal length | 24 millimeters | 90 millimeters | — | 58 millimeters | 17 millimeters | 2.8 millimeters |
fixed focal length | 24 millimeters | 90 millimeters | 100 millimeters | 300 millimeters | 17 millimeters | 70 millimeters |
real angle of view | 84 degrees | 51 degrees | — | — | 104 degrees | — |
model name | 3552B002 | 2544A003 | Canon RF100mm F2.8 L MACRO IS USM | — | 3553B002 | 3680C002 |
max aperture | — | 2.8 f stop | 100 millimeters | — | 4 f stop | 70 millimeters |
Product Description
Product Description
Filter size: 82 mm, Closest Focusing Distance: 0.69 feet.
From the Manufacturer
From the Manufacturer A superb refinement to a true Canon classic, the new TS-E 24mm f/3.5L II offers enhanced functionality and image quality in its most popular tilt-shift focal length. Designed with UD glass to minimize and compensate for chromatic aberrations and specially coated aspherical elements for the highest possible glare-free image quality, this tilt-shift lens features an angle of view of 74 degrees. New TS revolving lets users freely combine tilting and shifting within the range of +/- 90 degrees in the direction of movement. It has an enhanced range of movement of up to +/- 8.5 degrees, a revolving construction for both portrait and landscape shooting modes, locking, ergonomically designed and easily operated tilt and shift knobs, uses a circular aperture for beautiful out-of-focus areas, and is constructed using only lead-free glass and has an SWC lens coating that controls ghosting and flare to a far greater degree than earlier coating technologies.
- Tilt and shift lens compatible with all Canon EOS cameras
- Ultra Wide 24mm focal length, ideal for architecture and landscapes
- High precision lens elements for low distortion and high resolution to the edge of the image +/- 8.5 degrees Tilt and ±12mm Shift
- Tilt and shift mechanism rotates +/-90 degrees allowing shift in any direction
- Tilt mechanism rotates +/-90 degrees allowing tilt in any direction relative to the shift
- Aspherical and UD lens elements minimise chromatic aberration
- Sub-wavelength structure and super-spectra coatings minimise ghosting and flare
- Circular aperture for creative, blurred highlights
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Product information
Product Dimensions | 4.17 x 3.5 x 3.5 inches |
---|---|
Item Weight | 1.74 pounds |
ASIN | B001TDL2O0 |
Item model number | 3552B002 |
Customer Reviews |
3.8 out of 5 stars |
Best Sellers Rank | #639 in SLR Camera Lenses |
Is Discontinued By Manufacturer | No |
Date First Available | February 17, 2009 |
Manufacturer | Canon Cameras US |
Country of Origin | Japan |
Warranty & Support
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Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers like the quality, ease of focus, and performance of the camera lenses. For example, they mention it's fantastically sharp, produces stellar pictures, and is easy to focus. That said, they say it works well with a 2x extender and performs perfectly.
AI-generated from the text of customer reviews
Customers are satisfied with the quality of the lens. They mention it's fantastically sharp, top notch, and built like a tank. The optics are as good as any review and it may be the best lens Canon ever made.
"...about this lens other than the magical quality it possesses for producing sharp, colorful images that can be free of converging lines or offer..." Read more
"...The lens overall is very sharp and provides an excellent image quality...." Read more
"Best lens I own...I shoot architecture and this is the king. Crazy sharp (as has been said many times here) and compared to the 17mm this thing is..." Read more
"...Image circle, freedom from CA, vignetting, and ergonomics are all superior to the Nikon 24PC (and that lens is no slouch, either.)..." Read more
Customers are satisfied with the image quality of the lens. They mention that it produces stellar pictures, is fantastic for architecture shots, and produces sharp, colorful images that are free of converging lines. They also say that it's a powerful weapon for architectural photography, and that it has a visible improvement in optical performance.
"...other than the magical quality it possesses for producing sharp, colorful images that can be free of converging lines or offer incredible field of..." Read more
"Added this lens to my collection and it has produced some really good architectural photos...." Read more
"...I T/S lens. Optically it is a visible improvement - shifting the lens fully up or down does not lead to any cumbersome vignetting in the corners as..." Read more
"...Amazing piece of glass!..." Read more
Customers find the camera lens easy to focus. They say the correct focus is still indicated by the usual red square and beep. The lens is also fantastic for selective focus and has a close-up capability. The manual focus takes some work to use correctly, but yields some results.
"...Usual L quality - beefy, precise, and consistent behavior for all controls!..." Read more
"...and compared to the 17mm this thing is easy to focus...." Read more
"Love this lens. Extremely sharp. Correct focus is still indicated by the usual red square and beep in the viewfinder, It just won't do it for you...." Read more
"...but are now using a full frame DSLR, this lens will give you 90% of focusing options...." Read more
Customers are satisfied with the performance of the lens. They mention that it performs perfectly, works well with a 2x extender, and has enough light that the focus indicator still works.
"...the time..it's been bumped and banged about a fair bit and still performs perfectly. Amazing piece of glass!..." Read more
"...Works well with a 2x extender, and has enough light that the focus indicator still works...." Read more
"...Using it with an R series camera with adapter. Works flawlessly." Read more
"Functions superbly, lay-people who have seen images of buildings sans converging verticals, can't quite figure out why there's a difference but they..." Read more
Customers are satisfied with the perspective correction of the lens. They mention that it has a tilt and shift function that allows them to adjust the focal plane to nearly perpendicular to the film plane. They also appreciate the ability to rotate the tilt and shifting functions against each other easily in any angle.
"...I also like that tilt and shift functions can now be rotated against each other easily in any angle...." Read more
"...You can tilt the focal plane to nearly perpendicular to the film plane, shift the horizon all the way to the lower edge of the frame while..." Read more
"...Super sharp, precision focusing, perspective correction and less vignetting than I would have expected at 2/3 to 3/4 tilt...." Read more
"Tilt shift is interesting, you can accomplish many effects...." Read more
Reviews with images
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Top reviews
Top reviews from the United States
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This tilt-shift lens combined with a high-pixel DSLR (like the Canon EOS 5D Mark II) enable a photographer to produce images that can rival the best from medium format cameras and even can under the right circumstances push image quality into 4 x 5 inch sheet film territory.
I got this lens, snapped it onto my camera and got excellent results right away. It helped to spend some time refreshing my memory about how to use tilts and shifts but aside from that, there was nothing mysterious about this lens other than the magical quality it possesses for producing sharp, colorful images that can be free of converging lines or offer incredible field of focus control.
Other's have described various technical qualities of this lens and most online reviews describe the several improvements this lens offers over it's predecessor.
The big ones are better control over chromatic abberation and the ability to independently control the axes of shift and tilt. Closer focus is also a bonus.
Opinion varies about sharpness in the corners but all agree this is perhaps one of the sharpest lenses in Canon's line-up. My example delivers sharp corners so perhaps my copy is better that some of the reviewers?
I had to choose between this lens and more traditional ones (I was looking at the 70-200mm) and decided that this lens offered me the things I could get with no other lens - a lens great for interiors, exteriors (architecture) and new landscape dimensions. I can get the zoom later! This lens is unique. I wasn't sure how much I would like it but now that I've had some seat time with it, I could never think of being without it.
Usual L quality - beefy, precise, and consistent behavior for all controls!
Not a bargain price but it's the old adage - you get what you pay for!
Reviewed in the United States on April 23, 2010
This tilt-shift lens combined with a high-pixel DSLR (like the Canon EOS 5D Mark II) enable a photographer to produce images that can rival the best from medium format cameras and even can under the right circumstances push image quality into 4 x 5 inch sheet film territory.
I got this lens, snapped it onto my camera and got excellent results right away. It helped to spend some time refreshing my memory about how to use tilts and shifts but aside from that, there was nothing mysterious about this lens other than the magical quality it possesses for producing sharp, colorful images that can be free of converging lines or offer incredible field of focus control.
Other's have described various technical qualities of this lens and most online reviews describe the several improvements this lens offers over it's predecessor.
The big ones are better control over chromatic abberation and the ability to independently control the axes of shift and tilt. Closer focus is also a bonus.
Opinion varies about sharpness in the corners but all agree this is perhaps one of the sharpest lenses in Canon's line-up. My example delivers sharp corners so perhaps my copy is better that some of the reviewers?
I had to choose between this lens and more traditional ones (I was looking at the 70-200mm) and decided that this lens offered me the things I could get with no other lens - a lens great for interiors, exteriors (architecture) and new landscape dimensions. I can get the zoom later! This lens is unique. I wasn't sure how much I would like it but now that I've had some seat time with it, I could never think of being without it.
Usual L quality - beefy, precise, and consistent behavior for all controls!
Not a bargain price but it's the old adage - you get what you pay for!
I also like that tilt and shift functions can now be rotated against each other easily in any angle.
Compared to my old version of this lens, I only see a few drawbacks which I want to mention here. Optically it does not make a difference, but the built style of the old T/S version was a metal housing while this new version uses plastic. This is especially visible when using the interlock buttons which are now tiny plastic locks (formerly metal). As mentioned in other reviews below, the new version now uses a 82 mm filter thread. This might have been needed to create a larger image circle of the lens to shift it better and to remove vignetting issues, but it forces you to get a new polarizer and/or ND filter if needed. In comparison with the older 24 mm T/S lens, you need now to keep a close eye on the scale of the tilt/shift positions. My old lens "jumped" easier back into the zero position while the new lens doesn't do this and might easily still be one mm off center if you are not careful. But you get used to the new system easily to center back correctly.
In my opinion it is the best 24 mm lens which Canon has available in regard to sharpness and for the tilt/shift performance image-quality wise.
Good as the 24TS is, I would recommend stopping it down, even when you're not shifting. I know the test reports always say "Its fabulous wide open so stopping down just invites diffraction." This is certainly true in theory and probably in a test environment, but I find it's best at f/8 - f/11, even unshifted.
Liked the 24TS so much I bought the 17TS also. While the 24TS lacks the coolness factor of the 17, the 24 is, in my opinion a much more useful focal length. (It's also a tiny bit sharper but they are both first class.)