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A Complete List of Sony E-Mount Lenses and Their Specifications

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Sony Lens Terminology Key

This key is designed as a quick helper. Please see our complete guide to Sony and Zeiss lens terminology and abbreviations for more detailed information on the following Sony lens-related acronyms.

  • E – E-mount lens for APS-C and Super 35 cameras.
  • FE – Full-frame E-Mount lens.
  • G – Gold Series lens. Sony’s second highest lens tier.
  • C – Cinema lens with geared focus and aperture ring.
  • GM – Gold Master, more commonly “G-Master” lens. Sony’s highest tier lens.
  • LE – Light Edition. Only ever used once in 2012 to designate a particularly lightweight lens design.
  • OSS – Optical SteadyShot is Sony’s name for in-lens image stabilization.
  • PZ – Power Zoom lens with a motorized zoom control.
  • SEL – Only used in official product codes, standing for Sony E-Mount Lens.
  • TC – Teleconverter.
  • ECU – E-Mount Converter Ultra-wide.
  • ECF – E-Mount Converter Fisheye.
  • T* – A lens equipped with Zeiss’ optical T coating.
  • ZA – Zeiss approved “Zeiss Alpha” lenses built by Sony in Japan.

Sony Lens Annual Release Rate

How many lenses does Sony release every year for its mirrorless system? The answer varies, but the chart below will give some historical context that is helpful. It also shows the split between Sony’s full-frame FE lenses and their APS-C E lenses.

Sony Lens Release Dates

Many people are simply interested in the latest Sony E-Mount lenses. For this reason, I created a table of Sony lens release dates in chronological order. The new Sony mirrorless lenses are at the top of the list.

Many people forget that the Sony E-Mount Mirrorless system began life as an APS-C crop-sensor system in 2011. It wasn’t until October 2013 that they introduced the first full-frame lenses. Sony’s full-frame lenses are designated “FE“, and the APS-C lenses are simply designated “E“, so pay close attention to this part of the Sony lens model’s name.

It’s also worth pointing out that Sony lenses have come a very long way since 2011. It’s worth avoiding the APS-C lenses from the first few years. They don’t hold up well to the megapixels of modern Sony mirrorless cameras.

Note on Carl Zeiss Lenses

Those new to the world of Sony mirrorless lenses might wonder why this guide includes several Carl Zeiss lenses introduced between 2011 and 2016 while not having other third-party lenses. In actuality, the Zeiss ZA lenses listed on this page are Sony lenses designed and built by Sony in their Japanese factories. Although “Zeiss approved”, these are Sony lenses, which is why they belong in this guide.

Note on Number of Lenses

I’m keeping a running tally of the number of Sony E-amount mirrorless lenses in the left-hand column of the lens release date table. I am not counting teleconverters and the various lens adapters that Sony experimented with during the early days of the E-Mount system. As far as I’m concerned, it does not count as a new lens if it has to be mounted on a previous lens to function. Sony and I differ in this regard, which is why, when they announce a new lens, they might call it the “65th E-Mount lens” when my column tally shows a lower number.

Sony Lens Release Date Table

#Lens ModelRelease Date (MM/DD/YY)
2022
64E 10-20mm f/4 PZ06/01/22
63E 15mm f/1.406/01/22
62E 11mm f/1.806/01/22
61FE 24-70mm f/2.8 GM II04/27/22
60FE PZ 16-35mm f/4 G03/22/22
2021
59FE 70-200mm f/2.8 GM II OSS10/13/21
58FE 14mm f/1.8 GM04/20/21
57FE 24mm f/2.8 G03/23/21
56FE 50mm f/2.5 G03/23/21
55FE 40mm f/2.5 G03/23/21
54FE 50mm f/1.2 GM03/16/21
53FE 35mm f/1.4 GM01/31/21
2020
52FE 28-60mm f/4-5.609/15/20
51FE 12-24mm f/2.8 GM07/07/20
50FE 20mm F1.8 G02/25/20
2019
49FE C 16-35mm T3.1 G09/13/19
48E 70–350mm f/4.5–6.3 G OSS08/29/19
47E 16-55mm F2.8 G08/29/19
46FE 35mm F1.807/09/19
45FE 200-600mm f/5.6-6.3 G OSS06/11/19
44FE 600mm f/4 GM OSS06/11/19
43FE 135mm F1.8 GM02/26/19
2018
42FE 24mm f/1.4 GM09/20/18
41FE 400mm f/2.8 GM OSS06/27/18
40E 18-135mm f/3.5-5.6 OSS01/05/18
2017
39FE 24-105mm f/4 G OSS10/25/17
38FE 100-400mm f/4.5-5.6 GM OSS04/19/17
37FE 16-35mm f/2.8 GM03/17/17
36FE 12-24mm f/4 G03/17/17
35FE 100mm f/2.8 STF GM02/07/17
34FE 85mm f/1.802/07/17
2016
33E PZ 18–110mm f/4 G OSS09/09/16
32FE 50mm f/2.8 Macro08/30/16
31Carl Zeiss Planar FE 50mm f/1.4 ZA07/16/16
30FE 70-300mm f/4.5-5.6 G OSS03/29/16
29FE 50mm f/1.803/29/16
28FE 24-70mm f/2.8 GM02/03/16
27FE 70-200mm f/2.8 GM OSS02/03/16
26FE 85mm f/1.4 GM02/03/16
N/AFE 1.4x Teleconverter02/03/16
N/AFE 2x Teleconverter02/03/16
2015
25Carl Zeiss Distagon T* FE 35mm f/1.4 ZA03/03/15
24FE 90mm f/2.8 G Macro03/03/15
23FE 24-240mm f/3.5-6.3 OSS03/03/15
22FE 28mm f/203/03/15
N/AVCL-ECF2 (Fisheye adapter for 16mm f/2.8 and 20mm f/2.8)03/03/15
N/AVCL-ECU2 (Wide-angle adapter for 16mm f/2.8 and 20mm f/2.8)03/03/15
N/ASEL057FEC (Fisheye adapter for 28mm f/2)03/03/15
N/ASEL075UWC (21mm converter for 28mm f/2)03/03/15
2014
21Carl Zeiss Vario-Tessar T* FE 16-35mm F4 ZA OSS09/15/14
20FE PZ 28-135mm f/4 G OSS09/12/14
2013
19FE 70-200mm f/4 G OSS10/15/13
18FE 28-70mm f/3.5–5.6 OSS10/15/13
17Carl Zeiss Vario-Tessar T* 24-70mm f/4 ZA OSS10/15/13
16Carl Zeiss Sonnar T* FE 35mm f/2.810/15/13
15Carl Zeiss Sonnar T* FE 55mm f/1.810/15/13
14E PZ 18–105mm f/4 G OSS08/27/13
13Carl Zeiss Vario-Tessar T* E 16-70mm f/4 ZA OSS08/27/13
N/AE 50mm f/1.8 (Black version) OSS08/27/13
12E 20mm f/2.801/22/13
11E PZ 18–200mm f3.5-6.3 OSS01/22/13
2012
10E 10-18mm f/4 OSS09/12/12
9E 35mm f/1.8 OSS09/12/12
8E PZ 16-50mm f/3.5-5.6 OSS09/12/12
7E 18–200mm F3.5–6.3 OSS LE05/17/12
2011
6Carl Zeiss Sonnar E 24mm f/1.8 ZA08/24/11
5E 50mm f/1.8 OSS08/24/11
4E 55–210mm f/4.5-6.3 OS08/24/11
3E 30mm f/3.5 Macro06/08/11
2010
2E 18–200mm f/3.5-6.3 OSS08/12/10
1E 16mm F2.806/11/10
N/AVCL-ECF1 (Fisheye adapter for 16mm)06/11/10
N/AVCL-ECU1 (Wide-angle adapter for 16mm)06/11/10

Sony Lens Specifications

By default, lenses in the table are sorted by their widest focal length, placing wide-angle lenses at the top and super-telephoto lenses at the bottom.

  • Use the filters to narrow down lenses shown in the table.
  • Use the horizontal scroll bar below the table to reveal more specifications.
  • Mobile users can press the + button to expand.

Sony Lens Price Check Tool

Use the links below to jump to specific lenses.

Full-Frame Sony E-mount Lenses

Sony Teleconverters

APS-C Sony E-Mount Lenses

Sony E-Mount Lens Adapters & Converters

In the early days of the Sony E-Mount system, when they had not yet launched any full-frame lenses, Sony used lens adapters to convert existing lenses to multiple focal lengths. This practice has long since ended, but in the spirit of completeness, I include them on the page, albeit in their sub-section, since I do not count these as actual lenses.

  • VCL-ECU2 (Wide-angle adapter for 16mm f/2.8 and 20mm f/2.8)
  • VCL-ECF2 (Fisheye adapter for 16mm f/2.8 and 20mm f/2.8)
  • SEL057FEC (Fisheye adapter for 28mm f/2)
  • SEL075UWC (21mm converter for 28mm f/2)
  • VCL-ECF1 (Fisheye adapter for 16mm)
  • VCL-ECU1 (Wide-angle adapter for 16mm)

Hidden price buttons

Sony

Sony Price Check:

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Sony FE Zoom Lenses

Sony FE 12-24mm f/2.8 GM

The 12-24mm f/2.8 GM is Sony’s widest rectilinear G Master lens, tied for a wide field of view with the cheaper 12-24mm f/4 G lens. At the time of its launch in 2020, this lens was the widest f/2.8 zoom lens on the market from any manufacturer.

Of particular note: Despite the wide aperture and extremely wide focal length, the lens itself is only very slightly longer than the 24-70mm f/2.8 GM, and several hundred grams lighter than some other extreme wide-angle lenses such as the Canon 11-24mm f/4 L. A remarkable achievement from the Sony lens designers.

The lens features a total of 4 XD Linear Focus Motors for incredibly fast focus performance and one of Sony’s most complex lens designs to date. 17 elements in 14 groups, comprised of a series of XA, aspherical, Super ED, and ED elements. The front element of the lens is coated in a brand new coating called Nano AR Coating II. This newly created coating was necessary for this lens to deliver improved resistance to flare and ghosting while maintaining a front lens element with such extreme curvature.

The wide field of view makes this lens a dream for architectural and travel photographers, as well as a popular option for landscape photographers who do not require the use of screw-on filters. The wide aperture also makes it an excellent option for astrophotography.

Sony 12-24mm f/2.8 GM Price Check:

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Sony FE 12-24mm f/4 G

Sony 12-24mm f/4 G Price Check:

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Carl Zeiss Vario-Tessar T* FE 16-35mm F4 ZA OSS

Carl Zeiss 16-35mm f/4 Price Check:

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Sony PZ 16-35mm f/4 G

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Sony FE C 16-35mm T3.1 G

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Sony FE 16-35mm f/2.8 GM

Sony 16-35mm f/2.8 GM Price Check:

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Carl Zeiss Vario-Tessar T* 24-70mm f/4 ZA OSS

Carl Zeiss 24-70mm f/4 Price Check:

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Sony FE 24-70mm f/2.8 GM

Sony 24-70mm f/2.8 GM Price Check:

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Sony FE 24-70mm f/2.8 GM II

Sony 24-70mm f/2.8 GM II Price Check:

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Sony FE 24-105mm f/4 G OSS

Sony 24-105mm f/4 G Price Check:

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Sony FE 24-240mm f/3.5-6.3 OSS

Sony 24-240mm f/3.5-6.3 Price Check:

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Sony FE 28-60mm f/4-5.6

Sony 28-60mm f/4-5.6 Price Check:

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Sony FE 28-70mm f/3.5–5.6 OSS

Sony 28-70mm f/3.5–5.6 Price Check:

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Sony FE PZ 28-135mm f/4 G OSS

Sony PZ 28-135mm f/4 G Price Check:

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Sony FE 70-200mm f/4 G OSS

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Sony FE 70-200mm f/2.8 GM OSS

Sony 70-200mm f/2.8 GM Price Check:

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Sony FE 70-200mm f/2.8 GM OSS II

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Sony FE 70-300mm f/4.5-5.6 G OSS

Sony 70-300mm f/4.5-5.6 G Price Check:

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Sony FE 100-400mm f/4.5-5.6 GM OSS

Sony 100-400mm f/4.5-5.6 GM Price Check:

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Sony FE 200-600mm f/5.6-6.3 G OSS

Sony 200-600mm f/5.6-6.3 G Price Check:

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Sony FE Prime Lenses

Sony FE 20mm f/1.8 G

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Sony FE 24mm f/1.4 GM

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Sony FE 28mm f/2

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Carl Zeiss Sonnar T* FE 35mm f/2.8

Carl Zeiss 35mm f/2.8 Price Check:

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Sony FE 35mm f/1.8

Sony 35mm f/1.8 Price Check:

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Carl Zeiss Distagon T* FE 35mm f/1.4 ZA

Carl Zeiss 35mm f/1.4 Price Check:

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Sony FE 35mm f/1.4 GM

The Sony 35mm f/1.4 GM shares many of the same physical design elements as the extremely popular 24mm f/1.4 GM. In a camera bag, it would be easy to confuse the two. This means that for a 35mm f/1.4 lens it is remarkably small, yet it manages to outperform the older Sony/Zeiss ZA 35mm f/1.4 lens in every optical area. Although the Zeiss 35mm lens is technically still a current lens in the Sony catalogue, there should be no reason for anyone to buy that ageing lens now that there is a modern GM version. Not only does the newer 35mm f/1.4 GM outperform the old lens optically, but it’s also smaller, lighter and cheaper.

When Sony created this lens they poured all of their latest technology into it, including the XD linear focus motors that have been used on the 135mm GM and the 12-24mm GM for the fastest possible autofocus performance. This lens is also the second Sony lens, after the 12-24mm GM, to receive the new Nano AR Coating II on the front lens element for impressive resistance to flare, and remarkable microcontrast.

35mm prime lenses have always been popular as walk-around primes for general purpose photography, but are particularly loved by wedding photographers, travel photographers and street photographers. The fast f/1.4 aperture also makes it a good choice for astrophotography.

Sony 35mm f/1.4 GM Price Check:

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Sony FE 40mm f/2.5 G

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Sony FE 50mm f/2.8 Macro

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Sony FE 50mm f/2.5 G

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Sony FE 50mm f/1.8

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Carl Zeiss Planar FE 50mm f/1.4 ZA

Carl Zeiss 50mm f/1.4 Price Check:

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Sony FE 50mm f/1.2 GM

The FE 50mm GM is the first f/1.2 lens that Sony made for their full-frame mirrorless system. Before this lens, the Zeiss Planar T* FE 50mm F1.4 ZA was the top 50mm for Sony users, but in a spec and performance comparison, the newer G Master design beats it in almost every way. Despite being an f/1.2 lens, the 50mm GM is slightly lighter than its f/1.4 Zeiss-designed predecessor. It also manages to have the same weight, despite the added glass and complexity of that wider maximum aperture. The minimum focus distance is also shorter on the GM lens, giving a reasonably impressive 0.17x maximum magnification. When you combine that with the f/1.2 aperture’s ability to blur out the background, this lens gives you incredible bokeh to help you isolate your subjects in a way that few other lenses can on the Sony system.

This lens is a good choice for portrait photographers who like to shoot a little looser than the headshots you get with lenses in the 85-135mm focal range. Full-length portraits and small family groups work well on a 50mm, and though you might not need an f/1.2 aperture for this, you would choose the 50mm GM if you want the absolute best image quality that is available from an E-Mount 50mm lens. Wedding photographers working in the darkest locations will perhaps be the people who make the best use of this focal length and aperture combination. Street and travel photographers will equally find this to be an excellent option.

Optically, this lens is comparable, if not better than equivalent lenses from any other system. It’s also smaller and considerably lighter (Canon RF 50mm f/1.2 = 980g, Nikon Z 50mm f/1.2 = 1090g, Sony 50mm f/1.4 GM = 780g). For those that obsess over the 50mm focal length – and they do exist – I would go so far as to say that this lens is good enough to consider a switch to the Sony system. A lens of this quality that weighs only 780g is a masterpiece of optical design.

Sony 50mm f/1.2 GM Price Check:

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